Tag Archives: UP National Writers Workshop

Two photos from the summer of 2008

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Before I started working for Likhaan, I spent one summer working for the UP National Writers Workshop as a volunteer documentor. This was during the university’s centennial year. All I wanted really was a week’s vacation in Camp John Hay. I didn’t know that that week would change many things in my life–I got convinced to resign from the UP Press to become Butch Dalisay’s deputy director in Likhaan, I rediscovered my love for Baguio City, and I gained very good friends among the fellows.

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Jun Lana, Me, and Ralph Galan in one of the fellow’s rooms. Photo by Nick Pichay.

From the many happy memories of that year’s workshop, I cherish most the nightly drinking sessions with Frank Cimatu and Jun Balde (Some nights Bobby Anonuevo would join us). These guys never got drunk. We would stop drinking at around 4 in the morning. I would go to my room to sleep for an hour before going to check on the breakfast spread. And every morning without fail, I was greeted by the tranquil tableau of Frank and Jun, both freshly bathed, quietly sipping coffee on the patio and discussing the finer points of golf as they watched the early morning players make their way through the golf course surrounding the lodge we were billeted in.

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Vince Serrano, Nick Pichay, Me, Ian Casocot, Bobby Anonuevo, Alan Derain, Rica Bolipata Santos, and Charlson Ong during the short trek to the stream bisecting BenCab’s property. Except for me and Charlson who was teaching fellow, everyone else was a writing fellow. This was a particularly fabulous batch. Photo by Jun Lana.

Now if the straight boys were a lot of fun, so were the gays. And they took really lovely pictures. The two photos in this post were taken by the two Don Carlos Palanca Memorial Awards for Literature Hall of Famers among the writing fellows, Nick Pichay and Jun Lana.

A photo from the 2010 UP National Writers Workshop

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National Artist Rio Alma (Virgilio Almario) viewing the wooden rice god collection on display at National Artist BenCab's (Benedicto Cabrera) eponymous museum in Baguio.

National Artist Rio Alma (Virgilio Almario) viewing the wooden rice god collection on display at National Artist BenCab’s (Benedicto Cabrera) eponymous museum in Baguio.

It’s a few weeks before the 52nd University of  the Philippines  National Writers Workshop, and we have entered the homestretch of preparations. I’ve been organizing the annual workshop for Likhaan: University of the Philippines Institute of Creative Writing for several years now, and each year brings with it many interesting stories, new friends, and lots and lots of photo ops.

And every year, at around this time, I start getting nostalgic for past workshops, so I’ve decided to look at my archives and post some of my favorite photos through the years.

I took the photo in this post at BenCab Museum. National Artist for the Visual Arts Benedicto Cabrera is a long-time friend of the workshop, and a visit to his museum for afternoon merienda has become a standard side activity for our teaching and writing panels. This photo was taken in 2010, the same year the renowned poet and National Artist for Literature Rio Alma started wearing fedoras. I followed him as he wandered around the display of wooden rice gods and snapped this picture as he paused to study one statue. I like the idea of two gods standing face to face, one literary and one agricultural. And the way the rice god seems to be sprouting from his head is practically, well, poetic.

Rio Alma is a fellow emeritus of the Likhaan and a regular member of the workshop’s teaching panel.